ALL THAT JAZZ!!!

ALL THAT JAZZ!!!

By: Malik Pollard/@MadFlavorTV
 

“I really needed this!” …Warm weather and good music! As a person living in the Mid-Atlantic, more specifically, the Washington D.C. Metropolitan Area, it has been a cold winter [and that is not just the weather]. Jazz in the Gardens came at the right time and is in the right place.

In its 18th year in Miami Gardens, Jazz in the Gardens has been bringing A-list musicians to the stage for a weekend filled with music, food, commerce, and Black culture. I have always considered the festival as the quintessential beginning of the festival season, and the beginning of Spring. How perfect it was for the clocks to Spring forward this very weekend of music, fun, and celebration.

Saturday:

 
I could barely contain my excitement of returning to what I consider one of the top five festivals in the country. So much so, that I arrived at the Hard Rock Stadium two hours early; And early arrival does have its privileges. I got to sample some great Oxtails, Conch Salad, exclusive Titos Cocktails, and more. Let’s just say, I ate good all weekend. Damn good! The music lineup for Saturday was amazing. I don’t know who is involved with crafting the lineup, but it is an art to be able to put together such a great list of performers and place them perfectly; And JITG wasted no time and came out Trombones blazing with Jeff Bradshaw in a high energy performance where he delivered classic R&B and Jazz hits that we all love. Joining him on stage was the incredible Eric Roberson giving us some of his most memorable songs. Jeff and Eric was the precursor to what was about to happen because Saturday’s lineup took us on a music cultural trip with DJ Nasty from New Orleans with BG from Cash Money, Atlanta with Yung Joc, an of course Miami with 69 Boyz and Uncle Luke. Can I talk Luther “Luke” Campbell for one second. After 40 years of Luke Records, people still go crazy for a Luther Campbell song, and it doesn’t matter how old they are. Give us 40 more years Luke. Saturday night was culminated with probably the ‘dopest’ collaboration of artists conducted by Ms. Lauryn Hill herself.  Ms. Lauryn set an aromatic atmosphere with a stage filled with flowers, and vibrant colors. I could just imagine the stage smelling like Jasmine and incense that you buy from the corner stores in New York (lol). Lauryn Hill opened up with “Everything Is Everything” and quickly moved into all of her hits from her Multi-Award winning classic Album “Miseducation of Lauryn Hill”. After performing three songs, she was joined on stage with her sons YG Marley and Zion who both took us on another cultural trip to Jamaica. Next, we were ‘flewed’ to East Flatbush when Busta Rhymes surprised the audience bursting onto the stage with his explosiveness and spitting lyrics like a ‘dungeon dragon’ unleashed in Miami Gardens. After performing 3 songs, Lauryn came back to the stage to perform “Doo wop”. It was at this moment that it happened! “Let me bring out this another very special guest. She is Doechii”, Lauryn yelled. The crowd went Bananas, and I went totally ‘Ape Shit’ with them. Doechii stormed onto the stage with a sick 16 bars to “Doo Wop” that was just surreal. “Doechii and Lauryn Hill on stage together performing “Doo Wop”, is this really happening right now!?!?”  Yup. It’s happening and the Hard Rock Stadium is electric! “We could go all night,” Lauryn says. “I need to get into this Doechii set.” Ms. Lauryn Hill passes over the mic to Doechii, and Doechii proceeds to tear the stage up. What a day! What a night! But hold up, what happened to “Ready or Not”? What happened to “Killing Me Softly with his Song” or “Fu-Gee-La”? We cant end this night without those. “Let me bring out my partner in crime”, Lauryn says. “Introducing WYCLEF!” she adds. Wyclef came out and immediately tells the crowd that he is taking us on a trip from the Caribbean to Africa, and even though it is after 1AM, if we were in that Diaspora, the party would just be beginning. Believe me, no one in the crowd was ‘tired yet, or ready to quit.’ Lauryn Hill and Wyclef gave Miami Gardens a night that will never be forgotten by everyone that stayed and enjoyed classic hit after hit after hit. Imagine, this was just Saturday. We still have one more night to go!

Sunday:

Imagine getting home at 3AM, but it feels like 4? “Oh yeah, it is 4AM. The clocks moved ahead for Daylight Savings Time,” I cringed. Honestly, it was all worth it though. Saturday Night in the Gardens was so dope. “I’ll just take it easy ‘Like Sunday Morning’,” I thought to myself; But Jazz in The Gardens had other plans with another full day of good food, good music, high energy, and a lot of culture. What better way to start off Sunday’s musical journey than with the 90’s. Dru Hill took the stage. They have a different look with members that I was not familiar with, but as long as the hits were still the same, I was cool with that. Also, it was good to see Jazz back with the group. One of my favorite acts for the day was Beenie Man. My guy came out on stage with a Red Crown, and blue valor cape. Beenie man made a statement that he IS Dancehall royalty and indeed “The King of Dancehall.” One of his biggest American Pop hits is “Girls Dem Sugar” and it would only be right if singer Mya joined him for this song, and to the crowds’ adulation, Mya came onto the stage as a surprise to everyone. I for one was happy to see Mya, and the years have definitely been good to her .  Beenie Man reminded us that Caribbean music is alive and kicking in Miami (and in all over the world), and next time he deserves more than 30 minutes on stage, and judging by everyone that was dripping with sweat in Miami’s 80 degree heat, I would agree.

I’m going to save my favorite part of the weekend for last because they actually was not the last act of the night, and skip over to Toni Braxton. Can I just say that, “Toni looks good. Good AF!” All I could think about as I am watching her grind on the stage is how her man is falling asleep on stage while Toni has this young kid caressing ‘all over her bawdy’ (in My Martin Lawrence voice). This was my first time seeing Toni Braxton live, and I didn’t know what to expect, but I was pleasantly surprised to see her dancing and giving a really good performance. Her singing never misses, but I just wasn’t expecting her to  give us Janet Jackson moves, and she was giving us both ‘Rhythm Nation’ Janet and ‘Velvet Rope’ Janet if you know what I mean.

PASS THE MIC LIVE

Now onto probably my ‘most favoritest’ part of the entire weekend. Yes, is said “favoritiest!”  Pass the Mic Live. First off, “You should have been here!” as I wave my finger at you like Eddie Murphy with his Ice Cream. But since you weren’t, let me tell you all about it. Pass The Mic Live is genius. DJ Cassidy took an idea that he birthed during the pandemic, turned it into a Viral phenomenon, and then had the smarts and wherewithal to create a live experience in Las Vegas (currently at Planet Hollywood). Even more genius was the person that got DJ Cassidy to bring this experience to Jazz in the Gardens. DJ Cassidy assembled what he called in his intro “The Rat Pack” of hip hop, and that is just how each artist came out on the stage. In the Black and White Intro, they are all dressed in white suits walking down the Vegas Strip. Move over Sinatra, Martin, Lawford, “Sammy baby”, Bishop, and Angie Dickinson you have been replaced with Slick Rick, Doug E. Fresh, Ja Rule, Fat Joe, and Remy Ma. Boy, let me tell you when they each hit the stage in white suits, spitting bars, it sent shockwaves of electricity in everyone’s body. DJ Cassidy brilliantly started off the show with a classic Sinatra song setting the stage. He quickly moved into hit songs throughout the decades (70s, 80, 90s) before settling on “The Show” by Doug E. Fresh and Slick Rick, and that was the perfect way for the pair to emerge from the smoke. Rick The Ruler stood stoic while Doug E. Fresh taught us all the proper way to Dougie across the stage. After delivering one of Hip Hops hype dance songs, Slick Rick and Doug E. Fresh disappeared, and in their place entered Ja Rule. He started with 1 verse of his dis-track to 50 Cent (someone still a little salty), but quickly moved to one of his biggest hits, “Livin It Up”. Too bad Ashanti wasn’t there. Maybe she will one day join the 2025 Hip Hop Rat Pack. After performing “Livin It Up”, Ja Rule made his exit, and that opened up the stage for Fat Joe and Remy Ma. When that “Ante Up” beat dropped!…Whew lawd the entire audience just jumped. “I wish I could bring Pun back” “BLOUW”, everyone screamed. The team continued to deliver blow after blow, round after round as each of them continued to rotate on stage giving us all of their hits. At one point, the party kingpin of the Rat Pack Doug E. Fresh came on the stage and directed everyone to give their neighbor a hug, say hello. He then asked for total darkness. “Turn The Lights off,” he directed to the stage lighting crew. “Now I want everyone in the audience tonight to turn the lights on their phone.” Everyone obliged. DJ Cassidy then spun “Shine The Light On Em” and in ‘Simon Says’ or ‘Follow The Leader’ fashion, everyone shined their phone lights on each other. This quickly moved into “Happy Birthday” no matter if you were a Pisces or a Capricorn, we were celebrating life. The team ended the night with Slick Rick’s classic “Lodi Dodi” where just about everyone recited a verse or a portion of the song. At the end. They took their bows in Rat Pack style on the Jazz in the Gardens Stage.

EXTRA SEASON SALT…

Sunday wasn’t just about the music. It was also about paying homage to individuals that continue to address issues affecting the African American community. Such leaders as Tamika Mallory who received the Key to the city from Miami Gardens Mayor. Sunday was a day to reflect, build, and make proclamations for the future of residents in Miami Gardens and also for African Americans in America. It was also to affirm that although we are here celebrating Black Culture, we are also communing and making plans to move the culture forward!

 

We speak with the Cast!

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